Davenport Blues

Artist: Bix Beiderbecke Album: Bix Restored, Vol. 1   Young man with a horn, young man with a bottle: Cornetist Bix Beiderbecke may enshrine the mythology of jazz’s Prohibition years better than any other musician. In January 1925, friend Hoagy Carmichael drove Beiderbecke to the Gennett recording studios in Richmond, Ind., to make this date, which included a young Tommy Dorsey on trombone. It also included three quarts of gin, which Read More

Five Jazz Sides For The Age Of Prohibition-by David Brent Johnson

It’s easy to romanticize or oversimplify the relationship between jazz and Prohibition, but the banning of alcohol and the subsequent rise of speakeasies clearly played a role in the music’s evolution during its early days. Jazz musicians found ample employment opportunities in the numerous new nightclubs, formed friendships with gangsters (who were sometimes their biggest fans and occasionally their foes or protectors), and benefited from vital scenes that flourished in Read More

Narcotics and the Jazz Musicians Part Two

  • KENTON: It’s hard for the average person who isn’t in creative work to know what a terrible insecurity exists within some one who has dared to be different, and you have to dare to be different if you’re going to create anything fresh To just conform and belong to a group in a pattern of living is not creativity. And believe me, when you deviate and move away Read More

Narcotics and the Jazz Musicians

The PLAYBOY PANEL – narcotics and the jazz musicians THE PANEL LIST : JULIAN “CANNONBALL” ADDERLEY and his Brother NAT JOHN “DIZZY” GILLESPIE STAN KENTON DUKE ELLINGTON BILLY TAYLOR SHELLY MANNE JIMMY GUIFFRE NAT HENTOFF MAX COHEN (attorney and legal expert on narcotics addiction) DR WINICK (Director of Research of the Narcotics Addiction Research Project) source                                                Go to part One

Narcotics and the Jazz Musicians Part One

PLAYBOY: Our purpose, gentlemen, in this first PLAYBOY Panel, is to discuss narcotics addiction and the jazz musician. We might put it another way: to what extent is addiction a special problem of the jazzman? How common is the use of narcotics among musicians, and to what degree is the public attitude a reflection of the facts? We aren’t in search of dogmatic conclusions: rather, we’d like to stimulate thought, Read More